Manchester theatre reviews
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Tom Stoppard’s ingenious Olivier award-winning time-twisting drama ArcadiaDirected by Chris HonerReviewed by Anne Ryan September 2010 If you like Stoppard you will love this production of 'Arcadia'. Typical of the writer's work this is an evening which is truly a cerebral work-out. Switching between the early 19th century and the present day and touching on questions of literature, philosophy, mathematics and... gardening. A familiarity with Newtonian theory may help, but is probably not essential. |
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Manchester theatre reviews
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Directed by Toby Frow, designed by Ben StonesWednesday 8 September – Saturday 9 October 2010When Dr Faustus' desire for power and knowledge leads him to conjure up the demon Mephistopheles, he finds himself offered the ultimate bargain; he will be granted everything he desires for 24 years, but at the end of this time will have to hand his soul over to the devil. An epic new production of a stunning and savage tragedy by Christopher Marlowe.
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Manchester theatre reviews
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Based on the novel by Victor Hugo, presented by Cameron Mackintosh, directed by Laurence Connor and James PowellReviewed by Jane Turner August 2010 Introduction Hooked on “musicals” since Gene Kelly danced over a sofa singing “it’s great to stay up late” and then splashed and danced his way down the high street “singing in the rain”, I’ve long since enjoyed this particular genre and have occasionally been known to impersonate Kelly splashing about in a downpour. I always manage to find a big puddle, but the rest? Well, Kelly was a genius in tap-shoes and me, I just get very wet. |
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Manchester theatre reviews
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A Liverpool Everyman Theatre ProductionAdapted by Howard Brenton,directed by Christopher Morahan and based on the book by Robert TressellThe world premiere of a new stage version of Robert Tressell's autobiographical novel takes place rather fittingly in Liverpool where the author died and is buried. It is essentially an anti-capitalist story on a human scale revolving around the working lives and hardships of a group of painters and decorators working in the fictional town of Mugsborough c1904. Among this group of workers is the character Owen, largely based on Tressell, who has a vision of society that is fair and just and he makes it his mission to enlighten his fellow workers about how socialism could rid them of inequality forever. |
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Manchester theatre reviews
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By Oscar Wilde Directed by Chris HonerReviewed by Jane Turner 08 June 2010“The Importance of Being Earnest” was the first and is also sadly, the last play to be performed in the basement of Manchester Central Library by The Library Theatre Company. After 58 years in this spectacularly housed library, the theatre is moving. For the next four years while work takes place on a newer and larger venue at the Theatre Royal, the Library Theatre Company will continue to perform at The Lowry Quays Theatre and also put on some exciting site-specific shows in Manchester. A sad but necessary move from what is a beautiful and intimate theatre, in order to increase capacity and improve facilities. |
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Manchester theatre reviews
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Major revival of Bernard Shaw classic directed by Greg Hersov, designed by Ashley Martin-Davis, and starring Cush Jumbo, Simon Robson, Ian Bartholomew and Terence Wilton12th May 2010 – 19th June 2010Reviewed by Dave Porter on 18 May and Anne Ryan on 22 May 2010Dave Porter's review is:It takes a lot of chipping away at the crust of Shaw’s play to reveal the original underneath the melodrama that Hollywood has imposed on it, notably in the form of My Fair Lady. Even in Shaw’s own day there were attempts to turn it into a rom-com for the masses. But in this production the Royal Exchange has rediscovered a jewel of English (or should that be Irish?) theatre. Faithful to the text, it is Shaw at his painfully funniest and most philosophically astute, and appeals to the sense we have of reinventing ourselves. |
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Manchester theatre reviews
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By David Mamet Directed by Chris HonerSo who, in the end, screwed whom? John Williamson can barely open his mouth to breathe, such is the flow of words from David Fleeshman’s Shelley Levene. But Levene is pathetic, imploring Williamson to feed him the premium leads. Williamson is unmoved; to get the leads, you need to have made the sales. Success breeds success, and success deserves success. (It’s very New Labour: just think of the predication of Olympic training money on past medals, or of the predication of higher education funding on the short-term impact of research already carried out – and if you’ve not been successful… well…) But maybe there’s an agreement to be made, a deal to be cut. Maybe. |
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Manchester theatre reviews
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WORLD PREMIERE of stage adaptation and direction by Matthew Dunster Designed by Paul WillsReviewed by Simon Belt on 01 Mar 2010The Royal Exchange Theatre in Manchester launched their new season of 2010 with '1984' - a dramatic but disturbing adaptation of George Orwell's cherished novel of totalitarian state control of thought and behaviour. |
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Manchester theatre reviews
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By Neil Simon Directed by Paul JepsonReviewed by Temi Ogunye on 12th Feb 2010The Library Theatre Company’s production of 'I Ought to be in Pictures' faithfully captures the sharp wit and touching emotion of Neil Simon’s 30 year old three character comedy-drama. |
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Theatre Reviews
The scope of this category is to publish reviews of theatrical performances - by people based around Manchester, performances around Manchester, performances relating to Manchester, and reviews written by people around Manchester. Contributions and suggestions on how best to structure and solicit these reviews are welcome, though to date they are usually written by participants in Salon discussions who are offered press tickets to performances so they can review them. There is no obligation at any stage that reviews have to be positive to the organisation providing the press tickets, as critically capturing something of the moment is the key objective in reviewing any performances. We do though provide a link from the review to the website of the production for readers of the review. Suffice to say that the site cannot pay for contributions, but links from the reviews are possible where they are relevant. Please Email me your theatrical performance reviews to
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